Tag: shibori

“Sculptural Elements”

This blue indigo project is a wall sculpture that I began working on October 18th. It was completed on November 25th. The title is: “Sculptural Elements” During the past year I began experimenting with fabric manipulation using pleating and smocking

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Repurposing vintage naturally dyed napkins

Actually, the choice of things to make is only limited by one’s imagination. While these cloth napkins are eco friendly and add a more luxurious touch to the dining table, they can also be regarded as pieces of fabric. Natural

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Cotton fabric dyed with Sappanwood

Cotton fabric dyed with Sappanwood was my new project, after having completed 20 cotton tunics over  seven months. I have decided to spend the next period on dyeing lengths of cotton, linen and quite possibly silk fabrics. The intention is

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Finishing up my naturally dyed tunics

Finishing up my naturally dyed tunics. Only one more to go! I have a favourite, cotton tunic which I bought on my first trip to India. It came from a fair trade shop in Jodhpur, across the street from a

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Studio snapshots

As I work, I frequently take studio snapshots, with my iPad, of my process. This includes prepping my dyes, blossoms & leaves placed on fabric prior to eco printing, step by step shibori techniques, and the result after each dye

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Three natural dyes

Three natural dyes, using locally sourced raw materials, that’s what I will be using to dye the next few cotton tunics. https://maijazemitis.com/finishing-up-my-naturally-dyed-tunics/ Over the past three days, I have prepared sumac berry, acorn and walnut dyes. I have also made a

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No name travel pouch

I haven’t really decided on a “name” (MaiTribe bag?) for my upcoming most frequent travel companion. So, I’ve decided to just call it No name travel pouch. This Silk Noil travel pouch measures 23.5 cm x 20 cm and has

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Mokume shibori on Silk noil

Over the past few months, I have been trying out a large variety of Shibori techniques, including Mokume shibori on Silk noil. Other shibori techniques include Arashi, Nui, Itajime, and Kumo. While some of these methods require stitching with thread,

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Shibori tyeing and stitching with natural dyes

The past month after my return from Vancouver has been a daily pursuit of tackling new skills including Shibori tyeing and stitching with natural dyes. Since the Natural dyes workshop at Maiwa, with Michel Garcia, I have been working on

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